James Gordon Press Kit
“This fine Canadian songwriter is still on a roll. A mature, astute observer of the human heart in all its conditions. Unhurried personal narratives that anyone can share- songwriting on a conversational scale with universal relevance.” - Rock And Reel Review
James Gordon has been there. He’s done that. He has had a remarkably diverse and resilient career in the Canadian cultural sector. As a solo singer-songwriter and with the ground-breaking trio Tamarack, he’s recorded 42 albums and toured relentlessly around the world. He’s written for symphony orchestras, musical theatre and dance works, scored films, and for more than ten years was heard on CBC radio as songwriter-in-residence for the ’Basic Black’ and ‘Ontario Morning’ programs. Between tours, James is a record producer, playwright, community activist, theatre director and he was a Guelph City Councillor for eight years.
After a long break because of you-know-what, Gordon is touring again either solo, as a duo with Katherine Wheatley, or with his band consisting of David Woodhead, Katherine Wheatley, Anne Lindsay, Ian Bell and Randall Coryell on drums if the situation allows!
“A remarkable Canadian performer. His body of work is truly original” – Penguin Eggs“A confident artist with important things on his mind.” – Toronto Star
“Rootsy sound, strong songs, with a poet’s eye for telling details and a picket-line singer’s passion.” – Sing Out Magazine
“Der Kanadier James Gordon ist so etwas wie die graue Eminenz der kanadischen Songwriter-Szene.” (“James Gordon is the Eminem of the Canadian Songwriter scene”) – A Fan in Germany
Selected Achievements
*Wrote ‘Frobisher Bay’, which has been covered by over one hundred artists world-wide and many choirs.
*His classic song ‘Mining for Gold’ was included in the John Sayles film Silver City and was recorded by Cowboy Junkies on their breakout album The Trinity Session.
*Released children’s music album No Grownups Allowed, which went gold with 50,000 copies sold.
*Well known for his songs about social justice, heritage and environmental issues, he toured for two years with his hugely successful political theatre piece Stephen Harper: The Musical. (It worked. You’re welcome.), and has more recently been virtually offering his one-man multi-media production "James Gordon's Emergency Climate Musical".
*Gordon has produced albums for many Canadian folk artists, and his popular ‘Rhyme Capsules' songwriting-in-the-schools project has resulted in over two dozen recorded collections of songs by young composers.
*Created the full-length folk opera ‘Hardscrabble Road’ which debuted live in the fall of 2003.
* His first novel 'Ark Of The Oven Mitt”, was a finalist in 2022 for the Stephen Leacock Humour Award.
*His last album “When I Stayed Home” was named #1 in a top ten list from Australia for Green Left Magazine of “Ten New Albums that Protest Against Climate Change” coming in just ahead of Barenaked Ladies and Jackson Browne.
*His viral hit about the so-called 'Freedom Convoy', "Crybabies Caravan" has received more than 300,000 hits on social media and YouTube
*He was Guelph's Artist-in-Residence for 2023
*His newest album ‘Wrinkles and Scars’ is already generating a lot of interest. It's a collaboration with a team Of roots music all-stars: Anne Lindsay, Katherine Wheatley, Ian Bell, Randall Coryell and David Woodhead.
RECENT PRESS for the new album “Wrinkles and Scars”
from James' hometown paper “Guelph Today”
James Gordon discusses new album “Wrinkles and Scars” and activism
By Jan vanderhorst
There is an energy from a live performance that can’t be found in a studio recording. It’s the knowledge of not being able to stop partway through and start over again that happens when you’re in a studio. It’s the excitement of performing in front of a live audience who are engaged with what you’re doing. That’s one of the main reasons James Gordon recorded his latest album, Wrinkles And Scars, at the River Run Centre in his hometown of Guelph, ON.
“There’s a certain magical energy that can happen when you have this wonderful band playing ‘in the moment’ and the audience is right there with them. It’s something I really enjoy and I think listeners do too.”
There was also an economic reason for recording a live album. The River Run Centre has the technical infrastructure to record every band member individually. This way, any corrections could be made later just as if they had recorded in a studio. Another major financial consideration was the environment artists are faced with these days, with revenues from CD sales plummeting while income from streaming services are miniscule. The budgets for recording albums aren’t what they used to be.
“Do you want to spend $30,000 making an album if you’re not going to get that back from sales?”
Recording a live album also has the benefits of generating revenue from ticket sales for the concerts themselves. To that end, Wrinkles And Scars is the third album James has recorded this way.
The concerts at the River Run Centre were also kind of a homecoming for James. For eight years, he served as a city councillor, and since the River Run Centre is a city-owned facility, he was prevented from performing there due to conflict of interest regulations.
His time on council also made it difficult to maintain a performing career, so once James was freed of municipal responsibilities, he immediately filled his calendar with music dates.
“It wasn’t quite relief I wasn’t on council but excitement about what I could do now.”
Even before James was on Guelph City council, a hallmark of his career has been community and environmental activism. Those issues are represented on Wrinkles And Scars. “Wild Wind Blows” and “Lonesome As Hank Williams Tonight” reference the wildfires which devastated BC in 2023. Because the continent was blanketed in smoke from fires caused by climate change, James expected people would be spurred into action. Sadly, he found that people didn’t change their attitudes and in fact, put it all down to careless campers.
“When I was able to tour after the pandemic, it was more obvious these things needed to be talked about. If I can turn my experiences in travelling into songs that might have a message that resonates with people, then that’s my mission.”
Fighting the good fight for social activism has been a part of James’ life and career for a long time. It’s one of the reasons why he ran for city council in the first place. But working so long for change and seeing it come slowly can be discouraging.
“Finding ways to stay involved in community, to use your energies in a way that might have an impact, even the doing of it can be valuable. It’s gathering ‘in community’ and working on stuff instead of feeling sorry for yourself. That’s been my learning and I think it’s snuck its way under this project.”
As someone who’s written hundreds of songs on a variety of topics and issues, you’d think James has done and seen it all. But even he was surprised by the reaction from some people to his song “Crybabies Caravan,” which became a viral hit. The song addressed Canada’s anti-vaccine, anti-mask trucker convoys, otherwise known as the “Freedom Convoy.” Besides the nearly more than 300,000 listens, he also received hate mail and death threats.
“It was so bad I had the police call me to offer protection.”
In response, James wrote “When You Let Love Leave Your Heart” which is on the new album.
“It felt like everyone spiraled down into a dark place.”
The official launch of Wrinkles And Scars will take place in May at Hugh’s Room in Toronto, featuring James’ “Exceptional Ensemble” consisting of Ian Bell, Randall Coryell, Anne Lindsay, Katherine Wheatley and David Woodhead. In the meantime, he’s directing a play titled Belonging In The Township Of Wellesley, where residents shared their stories and James adapted them into a play. This is after he directed a film version of one of his other plays, Living Below The Line, based on the experiences of those who live below the poverty line.
“I’m my own worst enemy for promoting things I do because I’m always onto the next project.”